But the latter makes no bones about who has grasped control. Araya is open, and sincere, in his reply. There were several things that made me change how I lived my life. Through the brash front which forms part of the Slayer uniform, Araya shows a rare glimmer of vulnerability. That was really hard. And so the band were forced to reconsider their way of working. The first stop was to build a relationship between Araya and King that Hanneman had previously worked as a conduit for. Not so much with Kerry. We see something we like, something we think is cool. Then everybody else stirs up the shit pot.
I saw that first hand with my father, a lot of things that he had to deal with, things he had to overcome. And I feel like I have to say this: we share that passion. No one carries that Repentless attitude like they do.
But no more. So do Slayer feel like the underdogs, yet again? Do they have a point to prove? Laughter chugs.
Repentless is released 11 September via Nuclear Blast. Slayer tour the UK and Europe this November. But it took a parent-baiting collective from LA to incubate the most intriguing of them all. Watch News Tickets Shop. An independent platform for contemporary culture Design and build by Plinth.
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Previous posts. For 37 years now, Slayer have basically only cared about one thing: Slayer.
- Interview: Anxiety Slayer.
- Souls Astray.
- Elfen wie Diamant: Roman (Die stählernen Elfen 3) (German Edition).
They have spent nearly four decades shrugging off contradictions, controversies and societal conventions, in order to concentrate on kicking some serious ass in the most brutally Slaytanic way possible. And as they thrash their way off into the sunset, we honor their singular existence by looking back at 10 times when Slayer simply, truly did not give a fuck.
Though they'd already played numerous West Coast dates in support of their debut Show No Mercy , Slayer didn't do a cross-country tour of the U. With Venom, Slayer and Exodus all on the same bill, 's Combat Tour was a dream come true for aficionados of early thrash metal.
It was also a major step forward for Slayer, who were big Venom fans — though Tom Araya sure picked an interesting way of demonstrating his fandom to Cronos, Venom's frontman. Tom came in, hammered out of his mind, going, 'I gotta take a piss! Where's the bathroom in this thing?
He pulled down his pants, whipped it out and went to the bathroom on Cronos' hair. Cronos got up, grabbed Tom and punched him in the face. They spent the rest of the night blaming each other, and Tom did the rest of the tour with a black eye. I'm not sure I would've handled it that way. Perhaps nothing about Slayer was more controversial and, for some of us, more off-putting than their references to Nazism, both in their lyrics and their artwork. The band, however, has never backed down in the face of criticism over it — even when Geffen Records dropped the band over "Angel of Death," the thrash classic inspired by the work of notorious Auschwitz physician Josef Mengele — always maintaining that their morbid fascination with Nazi history and imagery was no different than their morbid fascination with serial killers or bloody military battles.
Those who charge Slayer with perpetuating the Nazi's "master race" philosophy usually fail to note that Tom Araya is Chilean, and former drummer Dave Lombardo is Cuban. According to Jeff Hanneman, who wrote the lyrics to "Angel of Death," they were simply exploring a particularly dark chapter of human existence, rather than celebrating it. I'd read a lot about the Third Reich and was absolutely fascinated by the extremity of it all, the way Hitler had been able to hypnotize a nation and do whatever he wanted, a situation where Mengele could evolve from being a doctor to being a butcher.
I shouldn't have to tell you that. From "The Antichrist" on Show No Mercy to the bloodied Jesus on the cover of Repentless , Satanic and anti-Christian imagery has always played a major part of Slayer's music and visual presentation. The band's Satan-invoking ways have earned them the fear and loathing of conservative Christians everywhere — just the mere suggestion that their name could be an acronym for "Satan Laughs As You Eternally Rot" was enough to send concerned parents everywhere running for cover.
But Tom Araya, who was raised in the Catholic faith and has expressed his belief in an "all-loving God" in numerous interviews, has never been particularly bothered by Slayer's lyrics, or his band's evil reputation. You're going to piss people off with this. I'm well-rounded, I have a really strong belief system, and these are just words and they'll never interfere with what I believe and how I feel. Few Slayer fans would probably name 's Divine Intervention as their favorite record — even Kerry King and Tom Araya have mentioned their dissatisfaction with the album's sound — but it remains memorable for its packaging, which includes the now-iconic photos of a pair of bloody forearms with "Slayer" carved into them.
And just to prove that the photos weren't photoshopped, the band filmed the carving being done, and included the footage in their home video Live Intrusion. The forearms in question belonged to Michael Meyer, a Southern California-based musician and diehard Slayer fan. While most bands might have been reluctant to involve a fan in such a stunt — especially since it could inspire other fans to do the same — Slayer had no qualms about encouraging body scarification in their name.
Albums by acts like Tool Aenima , Marilyn Manson Antichrist Superstar and Korn Life Is Peachy pushed the genre in various new directions, while releases by Metallica Load , Soundgarden Down on the Upside and Pantera The Great Southern Trendkill found these already-established giants casting about for new sonic worlds to conquer — sometimes successfully, sometimes not. Meanwhile, Slayer went in an entirely different and completely unfashionable direction, giving the middle finger to the trendy pop-punk scene by recording Undisputed Attitude , a collection of songs originally waxed by Eighties hardcore-punk bands like Verbal Abuse, Minor Threat, T.
One of the selections on Undisputed Attitude was a minute-long blast through "Guilty of Being White," a song by legendary D. Penned by frontman Ian Mackaye in response to being bullied by the predominantly black population of his high school, the song has often been misinterpreted as a pro-racist anthem, something that Mackaye has constantly denied. Slayer further added to the controversy when Tom Araya changed the song's final cry of "Guilty of being white" to "Guilty of being right. But Slayer didn't exactly rush to apologize.
God Hates Us All , Slayer's possibly presciently-titled album, was released the same day that four coordinated attacks by members of the terrorist group al-Qaeda killed nearly 3, people and injured more than twice that amount, leaving a permanent scar on the American psyche in the process. Though the song was met with howls of outrage from around the world EMI India actually recalled all copies of Christ Illusion as a result , "Jihad" was really just another case of Slayer being Slayer. But being Slayer, we don't put it on the victim side, we put it on the bad guy side.
The words are kind of coming from a terrorist point of view, not a victim.olfajectrefol.tk
Interview with Dead taken from Slayer Mag #10, Interview conducted by Evil (Marduk, Abruptum etc)
The biggest metal news in the summer of was the " Big 4 " Sonisphere concerts — seven festival dates across Europe featuring Metallica, Slayer, Megadeth and Anthrax. Kerry King allegedly was too busy editing video from the evening's Slayer performance, while Jeff Hanneman and Tom Araya simply weren't into it. And I also knew after we played that neither one of them would edit our video that was going to cinemas in a couple hours, so I told James and Mustaine both, 'Listen, man.
I've gotta edit our video before I can even think about playing with you guys.
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I don't want to go onstage and fuck somebody else's set up. And then the song 'Am I Evil'